September 11, 2003
Violence

Bin Laden accuses us of being soft. Have we no stomach for violence? In the long run, will it make a difference?

We've all seen it at one time or another... the hero, after witnessing the deaths of his loved ones sets out to avenge these misdeeds. After questing long and hard, he finally confronts the evildoer and after an epic battle disarms him. Just as he's about to send this murderer to his maker, some supporting actor always runs up, grabs the hero's arm, and shouts, "No! You can't do this! If you kill him you'll be no better than he is!" After a few moments of dramatic music, the hero takes a deep breath, puts away his weapon, and the credits roll.

This tableaux, acted out so often in our media we can almost recite the dialog word for word, represents a fundamental contradiction in our modern society. The elitist, the academic, the intellectual, both self-styled and actual, is bemused by simple, outdated concepts like "good" and "evil". After some sixty years of post-war cultural relativism, they fully believe in the utopian delusion that misunderstanding and miscommunication are the root of all evil and only by refusing to "talk it out" do we descend into madness.

The "common" people, however, hold no such delusions. In a world of strong versus weak, where success is too many times defined by how hungry you are when you go to bed, where prosperity is always bestowed to the mean and the clever instead of the virtuous and responsible, they know without a doubt that good and evil are both concrete and easy to spot. They do not look to the latest vogue social theories to guide them, they look instead to the books of their ancestors, whose admonitions will be with them long after the latest behavioral theory has been discredited.

And so, since Hollywood is filled with the former while the rest of America is filled with the latter, our heroes seem to always be forced through this existential angst at doing what is, after all, the hero's job. As with all modern streams of liberal thought, Hollywood has forgotten what middle America has not. There are always differences between the hero and the villain, deeply rooted ones that could never be undone with a single act of violence.

It wasn't always like this. The foundations of our culture, the quasi-mythological histories of Greece, Rome, and Judea, are filled with vengeful characters carrying out their missions with, as the modern saying goes, "extreme prejudice." Ancient criminal justice systems could be sophisticated in the extreme in the procedures used to find guilt, yet had exactly three sorts of penalties: fines, mutilations, and death. Such sentences were always carried out publicly, and at the ancient high point of our cultural tradition were turned into macabre sport. In warfare, extermination of an entire people was the understood, and desired, goal, so obvious it was never even articulated.

What changed? The answer lies at the feet of the industrial revolution. The upward mobility and burgeoning middle class created by industrialization redefined what was a threat to society. Because agrarian cultures (and, before about 1760, all advanced cultures were agrarian) are always ruled by an extremely small, extremely rich elite surrounded by masses of very poor, very desperate people, the slightest transgression was always seen as a direct threat to society*, and was treated accordingly. Defeated cultures could be annihilated simply by lopping off a few thousand heads and enslaving the rest.

Industrialization's emphasis of wealth over birth as the arbiter of power shattered this construct. For the first time in the history of civilization, being born poor did not automatically doom someone to a life of poverty. Unprecedented numbers of people suddenly had the wealth and time required to be creative, and therefore define the culture. The weapons of these societies were so powerful they doomed any army that didn't have them, and so such creativity could not be snuffed at the will of a thug who happened to be good with a horse.

With so many people having a "buy" into a society, and industrial technology arming them with weapons of such unprecedented lethality, cultural extinction simply fell off the radar screen. Since birth no longer solely determined a person's value to a society, the concept of "rehabilitation" became possible, even desirable in an age of freewheeling opportunism. It took a lot longer for massacring an opponent's army to go out of fashion, but eventually even that was seen as denying one's own producers a set of future consumers.

Modern societies are now ever further removed from violence of any sort. A person nauseated by the thought of killing a chicken, cow, or pig would've starved 150 years ago yet today can prosper without eating meat at all. The effectiveness of modern police forces have made private gun ownership an at times dangerous luxury instead of an obvious necessity. We have become so insulated even obviously fictional violence upsets us, and viewing real, albeit televised, death is perceived as a shattering experience.

What's important to understand, and far too often ignored by insular academics, elitist diplomats, and policy wonks, is that the rest of the world still works the old way. A "traditional" society is almost by definition agrarian in nature. This is far too often romanticized into bucolic visions of peaceful farmers riding carts pulled by braying donkeys, but such is not the case.

Instead, these are societies ruled by very small classes of elites, defined more by blood than by talent. Social mobility, especially by women, is seen as (and in fact is) an immediate and direct threat to the very foundations of these cultures, and because of this is dealt with in the most harsh and brutal ways imaginable. "The people" simply don't exist in the western conception of that term, instead being composed of masses of very poor, very ignorant people with no conception of or concern for the policies, practices, or preachings of their rulers so long as it does not affect their fields.

The events of September 11th represented a literal clash of these two cultural conceptions. To the traditional culture, this was a logical attempt to exterminate at least some** of the ruling elite that threatened their utter destruction. In their mind, such destruction would perforce result in the implosion and extinction of that society, since the elite were the only ones actually responsible for it. Victory would be, therefore, inevitable.

To the most culturally advanced (i.e. liberal) members of the industrial society, it was the violent "acting out" of a people who had simply "missed out" on the benefits of modernity. Cultural extinction, on either side, simply never occurred to them because their society was made up of all the people, not just a small subset, and it would be assumed the other side was likewise composed. Negotiations should be the rule of the day, not primitive vengeance.

Of course, of the two miscalculations, the former is much more dangerous to the traditional society than the latter is to the industrial. Modernity is an uncomfortable suit of clothes for many, perhaps even most, of its inhabitants. Even two centuries is not enough time for such people to forget apocalypse. To them, the attacks represented a clear and present danger not just to their country, but to their way of life, even their very existence. It doesn't help much that they're right. And it's those millions of people who understood on that terrible day one simple truth the liberals, elites, and academics had long forgotten.

The good guy can never turn into the bad guy simply by killing him, because the bad guy is now dead.

Posted by scott at September 11, 2003 08:58 PM

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